Blue Angel & Marcus Dupree: “Do What I Want” by Andrej Lupin
Adventuruous couple Blue Angel and Marcus takes their romantic relationship up a notch as they try a kinky yet very passionate lovemaking in the kitchen.
The setting is a sleek, modern kitchen. Completely devoid of decoration or embellishment, only a glimpsed faucet and an oven inset in an uninterrupted wall of cabinets suggests the intended purpose of the room. A single, asymmetrical, window floods the space with light. A couple — Blue Angel and Marcus Dupree — both clad in casual white, are having a lively conversation. Her eyes sparkle with playful energy, he returns her loving gaze. Their chemistry is obvious, even overwhelming. And that amorous attraction makes this cool kitchen the absolutely perfect place for an extended romantic encounter, more comfortable than the coziest bed, more sensuous than any exotic locale. Director Andrej Lupin adds a further bit of mystery to the proceedings with the title: in "Do What I Want" both players seem to be doing exactly what they want as individuals and as a twosome — this is a couple making love, not a superior controlling an underling. Moans of orgasmic delight are punctuated by giddy, joyous laughter, playful and passionate elements in perfect proportion. Encompassing everything from foot-worship to feverish fucking in a variety of creative positions, "Do What I Want" does what it does superbly.
The Road Goes On
Frida & Whitney Conroy: “The Road Goes On” by Alis Locanta
Frida and Whitney puts a stunning highlight to their casual and flirtatious adventure with a passionate and beautiful, erotic lesbian romance in an elegant setting.
Italy's Alis Locanta begins his latest SexArt creation, "The Road Goes On," with a sequence featuring his two stars in a series of public places — a train station, the backseat of a car, and strolling through a bustling city center. Despite the casual, spontaneous nature of this introductory footage, it becomes immediately apparent that there's a strong undercurrent of erotic attraction between these two beautiful women — but even the very public kiss Whitney Conroy and Frida share on a crowded thoroughfare only hints at the depth and breadth of that attraction. Locanta lets his performers set the pace, and once they're alone their playful flirtation blossoms into a powerful and mutual sexual yearning. Set in three distinctly different locations in a sophisticated and elegant home, "The Road Goes On," flows from one orgasmic highlight to the next to create a journey into exquisitely beautiful lesbian erotica and romance. Once you've entered the world of "The Road Goes On" you'll never want it to end.
Age of Innocence
Igaro
Pagoni
Batendo
Mina
Vertigo
Lorida
Room No. 023
Victoria Blaze & Thomas Lee: “Room No. 023” by Andrej Lupin
Thomas plays the compliant partner as Victoria Blaze plays the dominant woman in Room No. 23.
It is room like so many others in hotels all around the world. Drawn blinds, a bed, a locked door. No matter how basic or how luxurious, a hotel room suggests a certain level of anonymity, privacy, secrecy, and a here today/gone tomorrow transient quality. In Andrej Lupin's "Room No. 023" a mysterious hotel room plays an uncredited costarring role, providing the setting and much of the rich atmosphere for a most unusual erotic encounter. It all begins when Thomas Lee, smiling, willing, and eager, is bound to the bed with strips of soft fabric. Lee's smile remains as Victoria Blaze covers his eyes with a blindfold. Once she's in complete control the voluptuous, dark-haired vixen delights in teasing, tantalizing, and tormenting her enthusiastic but compliant partner while attending to her own pleasure. Clearly someone who believes wholeheartedly in the maxim that "A woman's place is on top," Blaze savors the power of her dominant position over Lee every bit as much as she enjoys devouring his flesh, sitting on his face, or riding his cock to climax. The encounter ends in ambiguity and no small amount of mystery, but what happens in "Room No. 023" stays in "Room No. 023." And that makes it a must-see.